It’s been over 100 years since the term magic bullet was first used. This week’s research blog describes progress in creating a magic bullet style of drug for prostate cancer. This task has proved difficult, but some cancers are now being treated by this class of drug.
By Dr Wendy Winnall - Scientific writer for PCFA.įor decades, cancer researchers have been trying to develop magic bullets that will target a toxin to a tumour. It’s the perfect tool for creating that specialized “look” for your videos without a steep learning curve.Ĭhuck Gloman is an associate professor and chair of the TV/film department at DeSales University.
Magic bullet looks 2014 software#
How often does a software giant do something like that for one of their customers?Īll in all, Magic Bullet Suite 12 is one of the easiest color correction programs I’ve used. When I consulted with the Magic Bullet tech people about this, they created a fix for my laptop that allowed the program to work perfectly.
Magic bullet looks 2014 mac#
I did initially have an issue getting Film and Looks to work on my Mac laptop however, my iMac desktop had no such issues, but transferring my hard drive and attaching it to my Macbook would not work. If you’d care to see the result of Magic Bullet applied to my work, check it out on YouTube at. I found that I could easily achieve such a vintage film noir look by choosing the film stock, grain, and vignette attributes available with the software. In another film noir project I was working on, I needed the main character to flash back to a black and white film image. Working with HSL, Curves, and other options, I found that I could create the exact look I wanted. The best part of this program is the customization it provides. Moving to Looks, I could choose any one of the presets under the 16 different possibilities. I adjusted the vignette to 30.84, which seemed to stop-down the background, allowing the viewer to focus more on the subject. Moving to Magic Bullet Colorista III, I slid the Shadows slider to 74 percent to lighten the harsh shadows on her face- much as if I’d used fill light or a reflector on location. Opening Magic Bullet Cosmo, I then softened her facial features slightly.
Magic bullet looks 2014 skin#
By adjusting the sliders, I was able to correct her skin tone, but did not visibly change the background hue. As I color balanced on the snow, I sought a warmer skin tone than the cooler one offered due to the snow. Opening Adobe Premiere CC 2014 and accessing Magic Bullet Mojo in my effects window, I used the sliders for Mojo Tint, Balance, and Warm It to create the warmer flesh tone I wanted. The stark contrast between the bright snow, her red coat, black hair and pale skin was quite dramatic. I shot a short film with a young, darkhaired woman standing in the snow. With Magic Bullet’s presets and the ability to open the software in Final Cut or Premiere, this process becomes a lot more fun and enjoyable. When I asked how this “look” had been accomplished, he simply said, “Magic Bullet.”īeing a producer and director of photography, I often have to edit my own work due to time limitations, and more importantly, I know the final “look” I want in the completed project. I first became aware of Magic Bullet several years ago when one of my students used it to “enhance” one of his class projects. The software is compatible with Adobe (Premiere and After Effects), Avid, and Final Cut, so multiple editors can all work on the same project across the chain. However, with Magic Bullet Suite 12, this process of creating your look has become much easier. Color correction software is available for this purpose, but the learning and mastery curve is often too steep.
Student filmmakers want their products to look like the Hollywood blockbusters and know that most of this occurs in post. Magic Bullet Mojo makes your actors stand out from their background by accentuating their skin tones, even if your colors are pushed into the shadows.Ĭolor correction and grading is more important now than ever before. 4-Way Color that provides a “color wheel” for Highlights, Midtone, and Shadows as well as a Master wheel.Shadows and Highlights to give you control over the brightness of your shot and.Lens Vignette, which allows you to remove or add vignetting.Mojo, which cools the background and also warms up the skin tones.
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